The intro is beautiful. It's better than I was expecting.
The actual song is not so inspired, but hell at least you can bang your head to it and at least the guitarists have some tricks up their sleeves. The chorus isn't integrated very well, but I like the way it opens up the song. It sounds nice. Except, they really should have been more realistic about Juka's vocal range. Meh. The song has some solid sections individually, it just doesn't really mesh. It's like it wants to be too many different things--pick headbanger or ballad and stick with it, please. Also, there's not a single hook to that song. I should at least walk away from the experience with something stuck in my head. Final verdict: Juka should keep shopping around, because I just don't see this ever getting interesting (but maybe keep one or two of those guitarists in his hip pocket, because they seemed promising).
Though I haven't heard enough mainstream VK (oxymoron?) to be able to recognize it myself, I believe Amatsu when he says the song is mostly recycled/cliché. Something I can recognize is that the guitarists seem to be trying to pull off a little bit of HIZAKI/Teru. My theory: with Versailles on the scene, it's really upped the ante. Who's going to be able to get any attention with prop guitarists anymore when Versailles' are so consistently and wickedly good? It's like they're obligated to do at least a weak imitation of the band that's currently dominating the scene.
And that last point is what I don't like about the band. It's pure formula. They're just drawing the elements that make other VK bands successful out of a hat and calling it a day. What they don't realize is that the only real formula to a great band is inspiration and chemistry.