Chemical Pictures (or, Jimi Versus the VKno)

Elec

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I'm an American living in Japan. I've only been here a month and I've gone to the same live house four times already; five this evening. I go to Urawa Narciss. Why? Because it's close, small so you can talk to the bands, and there are lots of free lives, which I've discovered, as you will see, are much better in quality than when you pay money.

The day I first went there I had come straight from work, which by a stroke of luck was literally across the street. Urawa is an area of the main capital of Saitama, Saitama City, which was formed when the cities of Yono, Omiya, and Urawa merged. So, still in shirt and tie, I walked over there while putting in my earrings. I had to feel a LITTLE bit rock 'n' roll and a LOT less country. (lol donnie and marie)

Narciss (http://www.zmf.co.jp/index.html) is very tiny. Just click the 'hall' link and you'll see. Sometimes it's not very packed, but on the free live days it's a little hard to get to the back of the hall FOR MY STUPID $5 BEER. Stupid mandatory drink ticket...

Almost immediately, 3 very kind girls could see that I was alone, smiled at me, and when I returned it they beckoned me over. It was nice of them to keep me company the whole evening; we talked Kagrra, Dir en grey, and the bands that were playing.

The first band was Ameria (whose homepage I can't find and whose flyer I disposed of), and they were amateur and didn't look like they enjoyed themselves so *schloop* out of my memory they went.

The next band was Axia (http://www.geocities.jp/axia_official_web_site/), whose singer didn't look like the rest of his group (i.e. he looked normal, the two guitarists looked vis/metal, and the bassist was wearing a Stitch suit, because Stitch is bigger than Jesus over here, and thank you to John Lennon for such a vivid quote), but he was really smiley and cute and sang well, and the music definitely had some X/Luna Sea influences. Live I loved them. In between sets I walked up to the singer (because I'm white and I'm a boy and that's okay) and told him that I thought he was really good, and I really liked the twin guitar work. He ran over and got his guitarist, and the three of us talked for awhile. Just before the next band started, he grabbed the CD single they were selling from their merch table and gave it to me. I asked, how much? He said, especially for you, free! I thought that was very nice.
...it's a damn shame, though, because it's awful quality and it doesn't reflect their live skill at all. I'm finally starting to see that I shouldn't throw out a band based on a bad recording, although that's plenty of reason... they may have redemption live.

After them was this band that totally cheated—no drummer, lots of synths—and their bassist was a total mess and didn’t deserve to be on stage. The guitarist wasn’t much better, although he at least had decent presence. The singer was a super-goth Kyo clone who screamed very, very well. He at least was entertaining. I don't remember their name, thusly I cannot look them up.

Then this band came out of nowhere and kicked our butts; they were called WhiteBlack and they were using a support bassist and holy crap I can play support because you guys rock oh god please let me man you guys ripped. (http://crow-m.vis.ne.jp/whiteblack/)

The girls had come to see this band, Ren, and I should have known from the look of their flyer that they would suck. No one in the band had any presence whatsoever except for the chunky singer who frightened me but not deliberately. I’ve never seen a guy so oblivious to the fact that the rest of his band really doesn’t seem that in to, you know, being in a band and such.

And the last band was some cheery, punky, oshare outfit called Mag. They weren’t awful but it’s certainly not my style. I enjoyed the singer’s MC’ing, but hey, I like comedy. The guitarist on the right kept looking at me for my consent (I’ve been told I enjoy concerts like a scenester from Jersey would hate them: toward the back, arms folded). I thought, whatev, they’re having fun and getting a great reaction; he threw back all my gestures with a big grin.

All in all, a good first experience... I'd definitely be coming back.
 

Kyuketsuki

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I think it's really interesting how some of these bands looked to you for approval- like that last gig did, and then that other band gave you a free single.

Also, I know what you mean about an in-studio track sucking, and then when it's live, it's really awesome. I had bought the deg 5 ugly dvd and loved a particular song on it. But when I went to find the recorded track, I was like " :| What the hell is this?! *off* "

So, yeah, very cool! :D
 

Miz

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Kyuketsuki wrote:
I think it's really interesting how some of these bands looked to you for approval- like that last gig did, and then that other band gave you a free single.

Also, I know what you mean about an in-studio track sucking, and then when it's live, it's really awesome. I had bought the deg 5 ugly dvd and loved a particular song on it. But when I went to find the recorded track, I was like " :| What the hell is this?! *off* "

So, yeah, very cool! :D
That happened to me with KoRn's A.D.I.D.A.S. from the FVT (I think it was the 1999 one) live.

@Three of those bands you mentioned sound interesting!
 

Elec

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I should have said that the above entry's events took place on August 19th.

These take place on August 27th.

I don't know if any Kagrra fans remember the superb lyrics site http://irohanihoheto.new-lotika.com/ but the girl that runs that and I went to Narciss on the 27th. She was sick of the people she was staying with, I was itching for English speakers, so we met up for a live. She had seen Merry the day before and not enjoyed it, so I was sure we'd hate this set. Even if they were bad, we could make fun of them.
AND MAKE FUN OF THEM WE DID.
The first band wasn't awful, but I don't remember their name; the closing band, the merciful, merciful closing band was called Zipcy, and I got a free single from them too. (http://zipcy.at-ninja.jp/page002.html) They reminded me of L'arc, if they went metal and visual at the same time.

One of the other bands, whose name is "Mushi King somethingsomething" which makes it literally impossible to locate on the internet, was so fucking bad it was offensive and I wanted to climb up on stage and take all their instruments away because NONE OF THEM DESERVED THEM, DAMMIT. They bumbled their way through three of the most atrocious Dir en grey covers: Schwein no Isu, through most of which the bassist was an idiot and there was something wrong with his bass, but I could tell he kept insisting it was the venue's cords; Zan, which was just nowhere near is intense as the original, and Audrey, which was just such a WTF choice, because that song is absolutely nothing special. Plus, they all seemed to forget how it went in the middle, but thankfully they all seemed to end at the same time by some miracle. Oh, and they had one original song, they were dicks, and they left. Oh my god, my eyes and ears.

BUT. Holy sweet Hay Seuss. This band came out in the middle, and when the curtains opened I saw that it was a bassist and a singer. That's typically AUTOMATIC FAIL, right?
http://homepage2.nifty.com/vagu-project/koumoku.html
No, not this time. The first song was well-structured and composed, and they had the single greatest stage presence I've seen in ages. Their website doesn't really reflect it, except in a few half-way-interesting live shots, but they were so, so so fun. The singer's got this really cool voice, and their personalities are so distinct and unique. Ryo's insane and the nicest guy in the world, and Yui's clever, witty and cool. In between songs they MC, which is usually tedious, but these guys are funny. It's like stand up comedy and Manzai. There are fan dances and everything. Boys come to shows when Vagu Project is playing, which, sorry ladies, usually means 'credibility' to me. I don't know how to say that without sounding completely and utterly sexist. So I really am sorry.
In one of the more rockin' numbers, Yui takes a swig of Jack and SPITS FIRE BECAUSE HE'S A BADASS MO'FO THAT'S WHY and everyone goes nuts. There are balloons that he pops over people's heads with confetti, huge balloons that get passed around like beach balls, etc. It's so fun.
Anyway, I talked to them after their set and they were genuinely pleased I liked it. They gave me a coupla fans (no CD's :-P) and gave me 4 tickets to come see them next time! That was really nice of them.
 

Kyuketsuki

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Elec wrote:
BUT. Holy sweet Hay Seuss. This band came out in the middle, and when the curtains opened I saw that it was a bassist and a singer. That's typically AUTOMATIC FAIL, right?
http://homepage2.nifty.com/vagu-project/koumoku.html
No, not this time. The first song was well-structured and composed, and they had the single greatest stage presence I've seen in ages. Their website doesn't really reflect it, except in a few half-way-interesting live shots, but they were so, so so fun. The singer's got this really cool voice, and their personalities are so distinct and unique. Ryo's insane and the nicest guy in the world, and Yui's clever, witty and cool. In between songs they MC, which is usually tedious, but these guys are funny. It's like stand up comedy and Manzai. There are fan dances and everything. Boys come to shows when Vagu Project is playing, which, sorry ladies, usually means 'credibility' to me. I don't know how to say that without sounding completely and utterly sexist. So I really am sorry.
In one of the more rockin' numbers, Yui takes a swig of Jack and SPITS FIRE BECAUSE HE'S A BADASS MO'FO THAT'S WHY and everyone goes nuts. There are balloons that he pops over people's heads with confetti, huge balloons that get passed around like beach balls, etc. It's so fun.
Anyway, I talked to them after their set and they were genuinely pleased I liked it. They gave me a coupla fans (no CD's :-P) and gave me 4 tickets to come see them next time! That was really nice of them.

That really rocks. Their website was pretty interesting, too. XD I love how someone had caught the bassist doing something on the street and posted it on one of those 'photos from around the world' sites, and they linked to it. XD
 

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God! I know Vagu Project and really liked them!
I randomly stumbled on them a few months ago from some dude on an Indies channel.
<3
That's great you seen them live and even better that they didn't dissapoint!
If you ever happen to come across RiRi Cut Blues or YEN while you're out there, please do yourself a favour and listen to them!
http://yen-official.sakura.ne.jp/
http://sound.jp/noise-folk-label/

Priss
 

Elec

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SEPTEMBER 4th

I didn't keep a very good record of this day, so I only have three bands to mention. :( I'm sorry. But it means the other ones weren't very good!! :)

Okay, so I met up with the same three girls I met the first time, which was nice... establish some familiarity. One of the bands was Zion (http://zionet.info/), and while not terrible didn't really get above an 80% on my scale.

The closing band, Karakuri (http://www.kara-kuri.com/pc/), also really surprised me. I don't really remember what they sounded like exactly, but I was pleased.

I almost forgot about a band called Dolly (http://dolly-web.com/), who also surprised me. They were really pro.

Who I really want to talk about was a band called Ensoku (http://pksp.jp/ensokubiyori/). My first impressino was poor: the singer was oshare-ish, the guitars and bassist kinda VK, the drummer looking like a total idiot: and there was a third guitarist, dressed normal, but in a mask with sunglasses over it. However, the music was really, really kickin', and their presence was strong. However, my other complaint was with the singer. He spent the first song and most of the second just telling people to come up to the front, "tobe! tobe!", "atama fure!", etc etc. It was more bullying than it was fun. He also singled me out a lot, telling me to move or do something, and I just smiled nervously, wanting him to see that I was enjoying myself, but every once in awhile he came back and talked at me. I almost didn't enjoy it.
However, he left me alone for the rest of the set, and after one particularly brutal, brutal song, he made as though 'omg i screamed too much lol' and then he 'coughed' up a pen. He looked all surprised, and then said "kore wa..." and everyone said "pen desu." and he said "this is..." and the audience said "a pen!" which is hilarious because that's one of the first sentences they teach them in English over here. We all laughed. So they went into this ridiculously heavy song whose sole lyrics were "this is a pen", which normally would be really fucking stupid and annoying, but the song itself was so tight I couldn't complain. Plus, culturally, it was funny and significant. Their musicianship was pretty top-notch, too.

After the show, the singer and I met eyes, and he looked really shy and nervous. I went up to him and went off about how I had been enjoying myself, I don't come to a show to get bullied, blah blah blah, and he was almost cowering. It was awesome. Then I said I was just kidding; I thought it was great, and he grinned in relief. So that was my retribution, and then we ended up talking for a bit.

THAT'S IT FOR TODAY, STOP READING.
 

Lem

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I like how Zipcy's site has "WANT - Guiter Stuff!" xD I should start a website with that on the main page. Maybe someone will get me Guiter ::meev::

Anyway, your reviews rock and are awesome fun 8D
 

flowersofnight

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Elec wrote:
I went up to him and went off about how I had been enjoying myself, I don't come to a show to get bullied, blah blah blah, and he was almost cowering. It was awesome.
I salute you for this. ::k::

Then I said I was just kidding; I thought it was great, and he grinned in relief.
But maybe I'm just kidding too then ;) Come on, stick to your guns! Ah well, hopefully he learned a thing or two anyway.
 

navate

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"Pen desu"? That's so stupid it's hilarious.

Thanks for the reviews--very entertaining! Do you get singled out a lot for being a gaijin over there? Or for being a guy in his 20s, for that matter. I've always had the impression that the VK crowd mostly comprised of teenage girls.
 

Elec

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LAST ONE OF THE DAY SUPER BLITZ #1 SEPTEMBER 15th

This was kind of a funky day. I had work until my normal time, 4:00, but I had to stay an extra hour to help the girls out with their speeches. Oh, this was at a school that was even FARTHER than the school I'm currently teaching at. Way out in the boonies. And it's raining like a bitch. The special ed teacher (I LOVE LOVE LOVE the special ed class; they're easily my favorite) and the music teacher wanted to go with me (they're young like me, but older; 23 and 24, I think), which was nice because I had 3 extra tickets to this one. Keep in mind these shows start at 5:30 and end at 9; doors open at 5. Urawa is about a 25 minute train ride from Okegawa.

So at 5 I rush to the station, in the rain, on a bike, holding an umbrella, which is totally illegal but cops have driven past me several times and everyone does it and I don't think anyone cares because IT'S RAINING AND WE ALL HAVE PLACES TO BE, AND PREFERABLY END UP AT OUR DESTINATIONS DRY, THANK YOU. Anyway, I hop on a train at 5:30 and get to the venue at 6. During the train ride, I email the other teacher who's supposed to come with me; she also got off at 5 and lives in Urawa. She told me she couldn't come after all; a student had fallen down the stairs so they were all doing damage control. More of that was necessary for parents and school safety reputations than for the student, who ended up with a broken finger but I taught him in class the next day and he seemed fine.

Two of the three girls are there, and I miss the first band, which, judging by the free CD they handed me, was god-awful.

(I have to digress for a moment: when I got home, I put their disc in my computer. The one track was 7:33; must be pretty good, I thought. No. It was nothing interesting at all, almost offensively boring. PLUS, they did something that just drove me batshit to tears: they did the stupid 'let's introduce everyone' thing ON THE CD. THEY PADDED THE TRACK, THE BASTARDS. Their name was Marshass so avoid them like the plague, those jerks.)

I got to the place just as the lights were coming up after the first band. As I got down the last of the stairs and my two friends waved at me, easily 15-20 girls were like "JIMMY! HI!!!" and I froze. It was really cool, but in the moment I felt embarrassed and shy. But I didn't know any of them; that was the weird part.

One of my friends was here for a band called Cleric, although they didn't spell it that way because THEY CAN'T DIFFERENTIATE BETWEEN Ls AND Rs (http://www.creric.com/).

So, you know how I'm always saying that the first VK Japanese bassist to play without a pick gets my life-long devotion? HERE HE IS. Interestingly, he was also the one my friend was crushing hopelessly on. (Who wouldn't? Look at that dashing fellow!) He not only played without a pick, but was hands down one of the best Japanese bassists I've met. Or seen. Because I haven't met the other ones I think are good, obviously.
The singer was only average, but the guitarist had a wireless mic (which is an idea I've always thought singing guitarists should employ more, so I was glad to see it here) and they blended extremely well.
I talked to them after their set; singer and guitarist were super nice. I told the bassist about how I was always disappointed that bassists had to use picks, and that as a bassist myself, I totally respected him. We talked about that for awhile, and how bassists are learning really simple slap techniques to show off without having any real skill, so that the line between awesome slapping lines and crap slapping lines is getting blurred to those who can't tell the difference. I was also talking to him because my friend really wanted to talk to him and she was desperately shy. So I said farewell, and then pushed her up to him, and that made her day, and I was pleased.

However, the CD they gave me, again, didn't reflect how much I liked them live. In fact, it's actually kinda crappy. Really disappointing. They were selling a single that I didn't buy; I hope that was better. I'll have to ask the girl that bought it.

AND THEN I FELT TOTALLY DIRTY because they finally told me how old they were. 17. 17! JEEBUS. MY SISTER IS 18. I FELT SO DIRTY. Now, mind you, I had absolutely no designs on them whatsoever. But they're still in high school, and I'm a teacher, and there was a distinct possibility that I was going to teach high school. I kind of treat them differently now, but whatever. They're still friends. It's just weird!

There was a really dark outfit called Neue Ziel (their website isn't showing up, but here it is anyway: http://hp21.0zero.jp/500/neueziel). They weren't awful, in fact I kind of liked them. AND I liked their 3-track free single, which was a surprise. The drummer kicked 3 kinds of ass but it doesn't show on the single. They had this really dark air during songs but between they were normal and fun; I liked that. I'll upload it sometime.

Vagu Project was also there again, and after their set, Ryo came up to me and was like "JIMMY!" and hugged me!! What a cool dude. And he was like, "yui, Jimmy came! I told you!" and Yui smiled, came over and shook my hand. I don't know how I became a minor celebrity here but I won't complain. I was worried my friends wouldn't like them, but after their show they were new fans!

Finally was a band called 水樂 (byakura) (http://www.prodezza.net/byakura/). I liked them, I think; it was kinda traditional, and I was totally crushing on the singer. This is very embarrassing to say, because looking at the website now she was more attractive in person. I think it was the stage presence, the charisma, and I'm a sucker for funny girls. Oh man, how embarrassing!

Anyway, the bassist gave me a horrible feeling. She stood in one place and didn't move, didn't emote, didn't... do anything. Imagine the most lackluster performance. Now imagine doing it ON PURPOSE. It was literally like a mannequin; I can't stress this enough and I'm not exaggerating. It was on purpose. Doll-like, but creepy, and not cool. But the music wasn't terrible. I was kind of surprised that that was the last band, but that's what happens when you're having fun.

THIS GOES TO SHOW THAT YOU SHOULD NEVER, EVER PAY FOR CONCERTS. Well, that's not true. If you know you like the group already, pay whatever you want. I went in blind twice and while I wasn't disappointed, I wasn't blown away. The free shows end up coming out to 500 yen (for a drink) plus travel, which is more than reasonable. Plus, no one knows who's playing before the show (the venue says they refuse to give out the information), so that air of mystery is kind of fun too. Well... you can know if you follow a band and you know they're going to be playing Narciss on a free live day... :-P

Like next week, with Danger Gang! On the 19th.

OKAY NOW STOP READING I WASTED MY MORNING DOING THIS FOR YOU GUYS

And Priss, I will so czech that out.
 

Kyuketsuki

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Elec wrote:
he made as though 'omg i screamed too much lol' and then he 'coughed' up a pen. He looked all surprised, and then said "kore wa..." and everyone said "pen desu." and he said "this is..." and the audience said "a pen!" which is hilarious because that's one of the first sentences they teach them in English over here. We all laughed. So they went into this ridiculously heavy song whose sole lyrics were "this is a pen", which normally would be really fucking stupid and annoying, but the song itself was so tight I couldn't complain. Plus, culturally, it was funny and significant. Their musicianship was pretty top-notch, too.

:lol: Our teacher in Japanese class actually went over that phrase today in class. We were learning about the kore, sore, are, ect., which I already knew, but still. XDD That's ironic. :|
 

Elec

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MY REPLIES TO YOUR KIND COMMENTS

Kyu: lol! Which song was it?

Miz: Yeah, it's a bummer. :(

Kyu: Yeah, he's just a really, really awesome guy. Nevermind the fact that he's in a band. He's just so nice.

Priss: I <3 u

Lem: Haha, yeah, I thought that was pretty sad. :-p they were using support that night.

Flowers: Thanks for the salute! But I did mean what I said to a point, but how much I ended up enjoying their set kind of outweight any initial irritation I felt. ;)

navate: It was extremely funny in context; maybe a little confusing out of it. :-P I've heard so many little 6th graders say, in english, "this is a pen" that I immediately knew that my whole purpose for working in Japanese schools as a cracker is to make this joke seem not funny anymore because you should NEVER HAVE TO USE THAT SENTENCE IN REAL LIFE CONTEXT. ::kiss::
I think I have gotten singled out, like I say in the post right after yours. :-P But largely it's a lot of fun, and people are really nice there. It IS almost entirely teenage girls, high school girls, so I ain't touchin' 'em. But they're very nice and sweet and INSANE. And they dress completely normal, save a small handful. Maybe because typically they come straight from school. :-P

And I absolutely think that's why I can approach the bands like I do. Everyone expects an American or white guy to be brash and bold; plus, as a guy who talks about the music I think it's a breath of fresh air to them. OR, conversely, maybe they DON'T get a lot of conversation at all because JAPANESE PEOPLE ARE SHYER THAN SHY and maybe they're begging to be approached. :-P I know I always am! When people talk to me out of the blue here it makes my day.
 

flowersofnight

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A more serious question for you: you gave us a good impression of what the bands were like, but what was your impression of the audience in general? Did they pay much attention to the music, or was it more of a fangirl crowd?
 

Kyuketsuki

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Elec wrote:
Kyu: lol! Which song was it?

24 ko. cylinders. ::kisaki:: The first time I ever heard it, it was watching it live from the 5 ugly dvd. I looked up the studio version over the summer and had to stop listening to it before it ruined the live version for me. XD
 

Sumire_hitsugi

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Elec wrote:
Vagu Project was also there again, and after their set, Ryo came up to me and was like "JIMMY!" and hugged me!! What a cool dude. And he was like, "yui, Jimmy came! I told you!" and Yui smiled, came over and shook my hand.
I wish I could see that; that sounds so cute. ;0;

Anyway, this is awesome. Keep them comming, good sir.
 

Elec

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flowersofnight wrote:
A more serious question for you: you gave us a good impression of what the bands were like, but what was your impression of the audience in general? Did they pay much attention to the music, or was it more of a fangirl crowd?

That's a great question, and a crucial oversight on my part. There are typically a few lines of girls up toward the front of the stage, doing the tefuri and the motions and the dances and calling out the names of the boys they're totally crushin' on, and for groups like Vagu project or ensoku, that has good presence, you get a lot more crowding, which of course can be fun. They're actually surprisingly respectful of personal space and safety, which is contrary to what I've heard at larger shows with bigger bands. And contrary to what riz, Jessi and I felt at the D'espairsRay show! There's lots of headbanging, and it's weird to see kogals and girls in plaid skirts, sweaters, and socks all freaking out with the rest of them.

The girls I talk to are only slightly fangirly in the sense that they really latch onto one or two guys just because they were cute or good at their instrument regardless of the bands' overall talent, but they are actually pretty discerning, moreso than I typically give fangirls credit for. I think a lot of them just like the scene, and I don't blame them. It's a great little hole to get away from the rest of your daily life. It's better than going home and drinking after school, which I've SO been tempted to do! :-P

I've heard stories about awful competition between girls at shows or whatever, but everyone's really nice to each other here. It's kind of its own little community of regulars, and they've been very welcoming of me.

The girl who runs irohanihoheto told me that she saw Kagrra and there were some awful, awful German girls there who were making fun of various people because of how they dressed, which is not cool when you're right in front of them, or even just with the mean-spirit that they were. One of them had apparently written a letter and dropped it in the gift box, saying that if they didn't acknowledge her during the show she would never listen to them again.
The German girl asked Iroha..., who understands Japanese, if Isshi said anything about her, and of course he didn't because that's retarded. And she got all huffy and 'fuck kagrra blargh'. Which is fine, because seriously, they're doing just fine without her patronage. I find that this tends to happen with the bigger bands, and with us foreign types who have potential to get so latched onto something and unfortunately some people get rather obsessive.
I relate this story to illustrate that I don't see this at these small lives where the best bands don't take themselves that seriously, and therefore no one's heart breaks over anything, really. It's... it's more intimate, and therefore more fun, I think. With the bigger bands, the more obsessive are hell-bent on making a personal connection to feel special, but here it just doesn't matter.

I think I'm trying to make a comment about crazies, like I usually do, but it's a bit muddled; I'm sorry. I get too technical with a hangover; last night was my Official City Welcome Party.
 

Sumire_hitsugi

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Elec wrote:
The German girl asked Iroha..., who understands Japanese, if Isshi said anything about her, and of course he didn't because that's retarded. And she got all huffy and 'fuck kagrra blargh'.
Worthy of LULZ. WOULD READ AGAIN.

Elec wrote:
Which is fine, because seriously, they're doing just fine without her patronage.
I concur.
I don't understand how people of that attitude consider themselves 'fans', but everyone's . . . special in their own mind.
I suppose you can't help it?
 

Kyuketsuki

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5 paces behind Seth with a pair of scissors....
Elec wrote:
As I got down the last of the stairs and my two friends waved at me, easily 15-20 girls were like "JIMMY! HI!!!" and I froze. It was really cool, but in the moment I felt embarrassed and shy. But I didn't know any of them; that was the weird part.

::squee:: That's really interesting. XD Apparantly people have been talking about you. ;)


Vagu Project was also there again, and after their set, Ryo came up to me and was like "JIMMY!" and hugged me!! What a cool dude. And he was like, "yui, Jimmy came! I told you!" and Yui smiled, came over and shook my hand.

I just think that's so cool. Just think- you could have made his day by showing up, and you did! :D That's actually kind of touching. XD

I don't know how I became a minor celebrity here but I won't complain.

::squee:: That's just a great atmosphere, imo. I think you were right to equate it to a little community, because that's really what it sounds like. ^.^ I think you're very lucky to be apart of it. :)
 

rizumu

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Elec wrote:
The girl who runs irohanihoheto told me that she saw Kagrra...
Dude I was talking to my brother about Kagrra and I wanted to show him that awesome site with all the lyrics, I'm like "it's iroha something", and of course he knew having taken the Classical Japanese class, and IT WAS GONE. D: I was so sad. Tell her to put it back up, lol.

Ugh though. Crazies. Hate em. You're right. Japanese fans are so much more respectful. The Vidoll live I saw was so comfortable.

Anyways, I'm so loving your live reports. Typical Elec-y awesomeness. I like how they call you Jimmy, lol. And the "this is a pen" shtick, that's the best thing I've heard all week. :lol:
 
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