............rizumu, you are now my favourite person on this board. Well, let's get started:
The melody that plays, repeating many times over
While depicting a spiral is going to change form
I guess that line is repeated over again after the song synopises, to emphasise the "swirling down the staircase" effect that the pianos were intended to portray, as you descend into the world of the lovers. But, the further you step, you notice that your surroundings are shifting slowly, and that you are no longer from where you had started.
Into my suffering when thinking of our reunion...
They were not reunited yet, at the time of the bombing? Or was the male wishing for, looking forward to, the moment that they were to be together once more? Then again, it's uncertain whose POV this introduction was written for and in. But it was the male who died, and "my suffering" would convict these words as his? But, the female suffered too, as she had lost her love...confusing.
Into the blue sea that reflects the sigh of our parting...
Even more confusing, haha, to whose who were unaware that this had nothing to do with the main story? Or did it? Hmmm...
Into the future of the two that seemed to be depicted even in the smiling sun like it sympathized...
I've never really figured out where Gogo no Sasayaki fit into the timeline; I've always assumed it to be their wedding day, or a wedding day that was to be, but never happened? That would have been more tragic; they could have only merely imagined their betrothal as a long dead dream. They were wishing, hoping it would happen, but...
Into the words of love, that pause in a space devoid of reason, color, and time...
...Yeah. The groom sort of died, along with tens of thousands of other people, and every living and nonliving person, place, and thing with them all swept away into dust.
Into the temperature of my body that grows cold and ushers in silver wings...
...and the bride kills herself, to be with her beloved again. Interesting that Kioku to Sora and Miwaku no Rooma take place during the exact same time, but from different perspectives, and you can easily tell as they are linked not only in lyrics, but in general sound and presentation. It still all flows very choppily, and Sadness and Zenshou should have been on the album, as well, definitely. Oh, well.
...ok, enough for now. If anyone cares, I'll make a thread about all of this at some other time.