Kyuketsuki wrote:I saw mention of screaming, but....I didn't think it was going to be the girly kind. I facepalmed a few times as he did it.
I don't know. Gackt's been sniffing glue lately or something. Everything he's been putting out these days is like some sort of horrible joke to punish anyone who's ever honestly liked him and his work. I half wonder if he's doing it all on purpose and intentionally trying to be bad? He's like, "Look at these idiots- they'll love anything I put out, even if it's shit!"
Sorry, but I will have to disagree. Just because you may not like his recent music doesn't make it shit. And it doesn't make the people who enjoy it dumb and undiscerning like you try to imply here.I like his recent releases and I find it better than some of the music he's been releasing previously, especially Returner which I considered to be one of his worst songs.
His newer music may be marginally different from what he's been doing since the beginning of his solo career but its not just random junk he's releasing because he feels he can make money of off anything.All of the newer releases since Jesus were written specifically for the Requiem et Reminiscence II concert tour. Which was intended to tell a meaningfull story about war and what it does to people. Yes some of the songs may seem silly and inane but they aren't random. My Fathers Day was a memorial to Ogata Ken who he considered his mentor. And Koakuma Heaven was written as a satire of bar hostesses and was intended for that game I just posted of him and the band playing. Koakuma Heaven's music and lyrics don’t fit in with the story of the concert but it wasn’t supposed to it was intended to be an upbeat excursion from an otherwise serious story.
Gackt may not be trying to exemplify every Goth cliché in the book and may have committed the crime of crimes of releasing a few happy songs but he does have a clear artistic vision in what he's doing and isn't just releasing shit.