No, it's best described by this one XDWandering_Fox wrote:Sometimes I think that modern art can best be described by this clip right here.
Fitzgerald Beck
No, it's best described by this one XDWandering_Fox wrote:Sometimes I think that modern art can best be described by this clip right here.
flowersofnight wrote:No, it's best described by this one XD
Fitzgerald Beck
Yeah, I think it's the nostalgia? It's not the same as when I watch a Rugrats episode or something though. They make me sad! XD They *were* really respectful and well done, maybe that's why I miss those kinds of shows, along with the animated ones. It's like a time you'll never return to @_@ Happy clouds, aw. I didn't even know Dilbert had a show though.Wandering_Fox wrote:I love the PBS remixes, they're really nostalgic because I remember watching those shows, even Julia Childs cooking show! They were very well done and very respectful
And people made fun of him because of his incredible afro (I suspect it was partly from people who were jealous) and his obsession with making everything happy; Happy clouds, happy trees, happy lakes...
Sometimes I think that modern art can best be described by this clip right here.
This answers so many questions about spoon bands and interpretive dance O_O Truly Jem's influence on our generation will know no limitsflowersofnight wrote:No, it's best described by this one XD
Fitzgerald Beck
Oh, didn't you know? That's exactly what I am nowPureElegance wrote:Geez, you sound so... I don't know, as if you're a 50 year old banker in a dark suit, paisley tie, wearing his wedding ring, riding the subway every day to work. I see those types all the time along with all sorts of other people, and it's really interesting.Berserk wrote:Now I'm more emotionally stable and spend most of my time doing boring grown-up stuff, so there's just not as much room for them in my life anymore.
I heard the news this morning and I hope you guys are ok. This is really bad.flowersofnight wrote:Sitting here in the dark with no power... playing 3DS
They sealed off the city so at least I don't need to try to go into work tomorrow.
MorganIvy wrote:It does make sense if you've seen a Madousho pic of him backstage at DS1... And I'm assuming it's Madousho because mine are tucked away and I'm too lazy to go and get them and I couldn't find it on my pc files...
And Yuki, it’s really been a long time since you played bass on stage if I’m correct…
Y: It has been long. I’m practicing standing up while playing (lol)
K: Ah, cause you’ve gotta stand while you’re playing at performances.
Y: I wobble around like a newborn lamb while I’m playing!
K: You’re always wobbly, but suddenly it’s doubled!
Y: I keep thinking, “Since when was the bass so heavy?” and stuff like that.
M: You don’t normally play it?
Y: I do. Well, here and there.
K: Yuki-chan, you play that thing at home, don’t you? What was it again. That thing you bought when we went out shopping before.
Y: Ah, the didgeridoo.
M: Didgeridoo?
Y: Apparently it’s originally a traditional woodwind instrument the Australian aborigines play.
M: What got you interested in that?
Y: These past few years I’ve been wearing minzoku-kei as my normal clothing style, and since I’ve been doing that it’s natural that I’d be interested in minzoku-kei instruments as well. For percussion I’m interested in minzoku-kei too.
M: Ah, I see. Your fashion was minzoku-kei when you came to see [Deep Sanctuary I], so I thought to myself that you had a lot of different drawers. So it’s not just the fashion, but your lifestyle itself had become minzoku-kei.
Y: Ever since I started dressing like this I’ve had all these ladies suddenly calling out to me on the streets. Even yesterday in town a made-up, trendy lady came up to me and asked, “Which country is that fashion from?”
K: Eeeeh…
Y: At first I thought it might be some sort of solicitation, like “Join us and find the road to happiness!”, but then she was old.
K: laughs
M: Is your house minzoku-kei too?
K: Before I went to Yuki-chan’s place – he has really good taste! It’s completely minzoku-kei, but the way he uses accessories, cloth, lighting, etc is super cool.
M: Hoh…
K: Yuki-chan has exceedingly good artistic taste after all. I wanted to imitate the way he used draping so when he was off getting beer I went around taking photos of everything (lol)
M: Do you still write songs?
Y: Yup, I keep getting off track but…bit by bit.
M: Like trying to incorporate in minzoku-kei?
Y: Yes, there is that.
faith wrote:Y: At first I thought it might be some sort of solicitation, like “Join us and find the road to happiness!”, but then she was old.
Using email you 3 connected with each other again for the first time in a while, so is there anything that you think, “This person sure has changed”?
K: When it comes down to it, the analogue type Mana had become a super digital being (lol)
M: I know it pretty thoroughly! Cause I’ve studied the Mac. I’ve really become a Digipafo (Digital Performer) and Mac artisan.
Y: I bought Digipafo too you know. But it failed at installation 3 times and I couldn’t use it then.
All: burst out laughing
Y: And, I researched it, and heard tons about it, and had people teach me how to use it, and tried it out, but in the end I didn’t understand, and that’s how it’s remained.
M: Ah…
Y: When it comes to music, there are plenty of people making good sounds with analogue.
K: Defiance!
Y: It’s best to capitalize on something the most possible and use that!
K: Yeah but there’s still that Digipafo you couldn’t capitalize!
All: laugh
M: It’s been about 10 years I think. Back in Malice times I saw Kozi using Digipafo and I thought it was a super difficult thing you were doing! At that time I didn’t even have a PC.
Kozi said a lot of really difficult sounding vocabulary like the interface this and that, and I heard that it even freezes, so I thought it was definitely impossible. QY doesn’t freeze.
Y: It does freeze, QY.
M: What???? Really?!?!?
K: Isn’t it because Yuki-chan’s using his QY to the last inch of its life?
M: Ah, yes, he appropriated it to the point that the characters disappeared.
Y: It was pretty worn down. But the one I have now is my second.
K: He’s a man assembling hard sounds.
M: Now I’m using a Mac to make songs, but I wish I had gotten into PC’s earlier.
K: I can’t believe it. That Super Uber Mega analogue Mana is now digital.
Y: But he’s always been the kind of person who really gets into whatever he gets into.
K: Good point. It takes a lot for him to get into something, but once he does he goes really deep.
M: Once I get into it, I want to find out everything there is to know.
K: I’m the opposite. I get into stuff easily, but always on the shallow side.
Y: Ah, that’s right. Kozi’s wide and shallow. Mana’s narrowed down and deep.